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New Comparison
New Comparison, Number 17 (Spring 1994)

Contents
  • A Neglected Link in the Introduction of the Works of Heinrich von Kleist to France: Xavier Marmier (Wendy Mercer)
  • Oscar Wilde's Society Comedies and the National Socialist Message (Rainer Kohlmayer)
  • Variations on Blindness: Wilkie Collins' Poor Miss Finch and André Gide's Symphonie Pastorale (Margaret M. Callander)
  • Amin Rihani's Book of Khalid and the Voice of Thomas Carlyle (Geoffrey P. Nash)
  • Two Invasions and One Tragic End: The Dialectics of North and South in Conrad's Heart of Darkness and Salih's Season of Migration to the North (Hani Al-Raheb)
  • Dylan Thomas and Stéphane Mallarmé: A Study in Poetic Parallels (T.M. Pratt)
  • Under Erasure: Pound and Guillén, Imagisme and Poesia Pura (Helen Wing)
  • Impressionism in Painting and Literature (George Hyde)
  • Paul Nougé and Surreal Invention (Silvano Levy)
  • The Russian Sources of Orwell's Nineteen Eighty-Four (Antony Johae)
  • On Heidegger's Theory of Interpretation (Christopher Harris and Michael Salter)

Reviews
  • Agnolo Firenzuola, On the Beauty of Women (Maurice Slawinski)
  • John S. Mebane, Renaissance Magic and the Return of the Golden Age: The Occult Tradition and Marlowe, Jonson, and Shakespeare (György E. Szönyi)
  • Donald Flanell Friedman (ed. and trans.), An Anthology of Belgian Symbolist Poets (Philip Mosley)
  • David Spurr, The Rhetoric of Empire (Walter P. Stewart)
  • Rosalind Williams, Notes on the Underground: An Essay on Technology, Society, and the Imagination (Philip Mosley)
  • List of Contributors


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