New COMPARISON

Literary Themes

New Comparison, Number 6 (Autumn 1988). Edited by Holger Klein

Contents

Themes and Thematology (Holger Klein, Norwich)
Venice at First Sight: Prolegomena for a New View on Thematics (Angelika Corbineau-Hoffmann, Mainz)
Venice Preserved: History, Myth and Literary Creation (Andrée Mansau, Toulouse)
The 'Traitor to his People': A Contribution to the Phenomenology of Treachery in Literature (Hans-Georg Grüning, Macerata)
Variations on the Myth of the Magus (György E. Szönyi, Szeged)
Victims of their own Contending Passions: Unexpected Death in Adolphe, Ivanhoe and Wuthering Heights (Terence Dawson, Singapore)
Dialogue with the Dead: The Deceased Beloved as Muse (Elisabeth Bronfen, Munich)
Images of Landscape in Contemporary French Poetry: Ponge, Char and Dupin (Sieghild Bogumil, Bochum)
Nature and Perception: Versions of a Dialectic in European City Poetry (Walter Bachem, Bochum)
Autumn Poems and Literary Impressionism: Conceptualisation, Thematisation and Classification (Ziva Ben-Porat, Tel Aviv)

From Idyll to Arsenal: The Changing Image of Germany in France as seen through the Work of Xavier Marmer (1808-1892) (Wendy Mercer, London)
The Art of the Improvisers: Jazz and Fiction in Post-Bebop America (Julian Cowley, London)
Tin Drum and Snake-Charmer's Flute: Salman Rushdie's Debt to Günter Grass (E.W. Herd, Otago)

Reviews

Horst S. and Ingrid Daemmrich, Themes and Motifs in Western Literature: A Handbook (Gerald Gillespie)
Gisbert Kranz, Meisterwerke in Bildgedichten: Rezeption von Kunst in der Poesie; Das Bildgedicht: Theorie, Lexikon, Bibliographie, vol. 3; Das Architekturgedicht (Clive Scott)
Christiane Schenk, Venedig im Spiegel der Decadence-Literatur des Fin de siècle (R.B. Pynsent)
Peter Edgerly Firchow, The Death of the German Cousin: Variations on a Literary Stereotype, 1890-1920 (E.A. McCobb)
Peter Boerner (ed.), Concepts of National Identity: An Interdisciplinary Dialogue (Kay Chadwick)
Gerhart Hoffmeister, Deutsche und europäische Barockliteratur (Leonard Forster)
Adrian Poole, Tragedy: Shakespeare and the Greek Example (Elizabeth Maslen)
Marjorie Garber, Shakespeare's Ghost Writers: Literature as Uncanny Casualty (Ritchie Robertson)
Peter V. Zima and Johann Strutz (eds), Europäische Avantgarde (E.W. Foster)
Yael S. Feldman, Modernism and Cultural Transfer: Gabriel Preil and the Tradition of Jewish Literary Bilingualism (Risa Domb)
Janet Garton (ed.), Facets of European Modernism: Essays in Honour of James McFarlane (George Bisztray)

Report on 'Work in Progress': Literary Translation in Korea during the Early Modern Period (1895-1940) (Theresa M. Hyun, Seoul)

Return to: New Comparison; BCLA home page



	Literary Themes New Comparison, Number 6 (Autumn 1988). Edited by Holger Klein Contents Themes and Thematology (Holger Klein, Norwich) Venice at First Sight: Prolegomena for a New View on Thematics (Angelika Corbineau-Hoffmann, Mainz) Venice Preserved: History, Myth and Literary Creation (Andrée Mansau, Toulouse) The 'Traitor to his People': A Contribution to the Phenomenology of Treachery in Literature (Hans-Georg Grüning, Macerata) Variations on the Myth of the Magus (György E. Szönyi, Szeged) Victims of their own Contending Passions: Unexpected Death in Adolphe, Ivanhoe and Wuthering Heights (Terence Dawson, Singapore) Dialogue with the Dead: The Deceased Beloved as Muse (Elisabeth Bronfen, Munich) Images of Landscape in Contemporary French Poetry: Ponge, Char and Dupin (Sieghild Bogumil, Bochum) Nature and Perception: Versions of a Dialectic in European City Poetry (Walter Bachem, Bochum) Autumn Poems and Literary Impressionism: Conceptualisation, Thematisation and Classification (Ziva Ben-Porat, Tel Aviv) From Idyll to Arsenal: The Changing Image of Germany in France as seen through the Work of Xavier Marmer (1808-1892) (Wendy Mercer, London) The Art of the Improvisers: Jazz and Fiction in Post-Bebop America (Julian Cowley, London) Tin Drum and Snake-Charmer's Flute: Salman Rushdie's Debt to Günter Grass (E.W. Herd, Otago) Reviews Horst S. and Ingrid Daemmrich, Themes and Motifs in Western Literature: A Handbook (Gerald Gillespie) Gisbert Kranz, Meisterwerke in Bildgedichten: Rezeption von Kunst in der Poesie; Das Bildgedicht: Theorie, Lexikon, Bibliographie, vol. 3; Das Architekturgedicht (Clive Scott) Christiane Schenk, Venedig im Spiegel der Decadence-Literatur des Fin de siècle (R.B. Pynsent) Peter Edgerly Firchow, The Death of the German Cousin: Variations on a Literary Stereotype, 1890-1920 (E.A. McCobb) Peter Boerner (ed.), Concepts of National Identity: An Interdisciplinary Dialogue (Kay Chadwick) Gerhart Hoffmeister, Deutsche und europäische Barockliteratur (Leonard Forster) Adrian Poole, Tragedy: Shakespeare and the Greek Example (Elizabeth Maslen) Marjorie Garber, Shakespeare's Ghost Writers: Literature as Uncanny Casualty (Ritchie Robertson) Peter V. Zima and Johann Strutz (eds), Europäische Avantgarde (E.W. Foster) Yael S. Feldman, Modernism and Cultural Transfer: Gabriel Preil and the Tradition of Jewish Literary Bilingualism (Risa Domb) Janet Garton (ed.), Facets of European Modernism: Essays in Honour of James McFarlane (George Bisztray) Report on 'Work in Progress': Literary Translation in Korea during the Early Modern Period (1895-1940) (Theresa M. Hyun, Seoul) Return to: New Comparison; BCLA home page

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