Self as Palimpsest (G. Gillespie, Stanford)

Woman as Diarist (V. Raoul, BC)

Forms of Consciousness in Theatre (R. Yarrow, East Anglia)

Autobiography and Modernism (O. Severijnen, Nijmegen)

Self-Representation in Sydney and Balassi (G. Szönyi, Szeged)

Narration of Consciousness in Brockden Brown (H. Kittel, Göttingen)

Dialogic Consciousness in Plato and the Romantics (E. Douka Kabitoglou, Thessaloniki)

Actorial Representation in the Romantic Age (S. Williams, California)

Poe and Dsida (G. Gömöri, Cambridge)

Hallucination in Dickens and Dostoevsky (A. Johae, Essex)

Laforgue's Virgins (E. Wilson, Cambridge)

Dialogue of Cultures in Conrad (W. Krajka, Ljublin)

Acts of Address in Stevens, Yeats, Eliot (C. Masel, Essex)

Character as Subject in Coetzee's Foe (A. Fokkema, Utrecht)